Many other, slightly oddball and progressive songs litter the album, like the excellent 'Subterranean Homesick Alien' and of course, the up and down, high and low volume.all over the shop mania and weird groove of 'Paranoid Android.'Ī glance at the albums' production notes online would tell you that all songs are from very different inspirations and concepts and in that regard, this is a very experimental and intelligent masterpiece, almost like a 'Dark Side of the Moon' for the 90's. Melody is probably the central ingredient here, there is a lot of dynamism and experimental/weird noises along with some excellent rhythm guitar parts, but what sticks with me the most is the memorable vocal lines, 'Karma Police' and 'No Surprises' being the prime examples of this. It's still succeeding.This is the second Radiohead album I've ever listened to after 'The Bends.' They're a band I've always been aware of, but have never quite explored for whatever reason.until I heard the various songs covered on the robot/cowboy/sci-fi programme 'Westworld,' and decided to check out those sweet melodies' origins. They've seen the future.", Ranked #2 in Q's "100 Greatest British Albums", Ranked #1 in Q's "Best 50 Albums of Q's Lifetime", 5 stars out of 5 - "It's a brilliant album.Visual, visceral and complete.", Ranked #4 in EW's "Top 10 albums of the '90s", ".Shrouded in wafting guitars, swoony rhythms, and moody-blue strings, it shrugs off mosh-pit conventions for a poignant delicacy and breadth, with Yorke's cracked-throat voice the album's melancholy center.For all of Radiohead's growing pains.their aim-to take British pop to a heavenly new level-is true." - Rating: B+, Ranked #3 in Mojo's "100 Modern Classics" - "OK COMPUTER sought to disturb as much as delight.
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In that sense, Radiohead were not only record-collectors but futurists.", Included in Rolling Stone's "Essential Recordings of the 90's.", Ranked #2 in the Village Voice's 1997 Pazz & Jop Critics' Poll., Included in Q Magazine's "90 Best Albums Of The 1990s.", Included in Q Magazine's "50 Best Albums of 1997.", Ranked #2 in NME's 1997 Critics' Poll., "A mix of anthemic hooks and droning electronics that flipped rock on its head.", 8 (out of 10) - ".Unlike their majestic models U2, Radiohead take on techno without switching instruments or employing trendy producers.As with post-rockers Tortoise, Laika, and Seefeel, Radiohead have a fuzzbox or two and obviously know how to use 'em.", Ranked #2 on Melody Maker's list of 1997's "Albums Of The Year.", 4 Stars (out of 5) - ".OK COMPUTER - a stunning art-rock tour de force - will have you reeling back to their debut, PABLO HONEY, for insight into the group's dramatic evolution.", Ranked #9 in Spin Magazine's "90 Greatest Albums of the '90s.", 5 stars out of 5 - "Panicked, paranoid and product-coded tranquilized, arena-size and indelible.", Ranked #2 on Spin's list of the "Top 20 Albums Of The Year.", ".unlike anything I've ever heard.I definitley know it isn't good for me, and I'm certain it says more about my life than I'd like.in terms of composition and performance, it's very impressive. "Real songs and tunes, but ones that didn't shrink from the increasingly unlimited possibilities of modern music-making.